"What cultural revolutionaries do not seem to grasp is that, far from being a grass-roots art form that has been taken over by businessmen, rock itself comes from a commercial exploitation of the blues. It is bourgeois at its core, a mass-produced commodity, dependent on advanced technology and therefore on the money controlled by those in power. Its rebelliousness does not imply specific political content; it can be—and has been—criminal, fascistic, and coolly individualistic as well as revolutionary. Nor is the hip lifestyle inherently radical. It can simply be a more pleasurable way of surviving within the system, which is what the pop sensibility has always been about. Certainly that was what Woodstock was about: ignore the bad, groove on the good, hang loose, and let things happen. The truth is that there can’t be a revolutionary culture until there is a revolution. In the meantime, we should at least insist that the capitalists who produce rock concerts charge reasonable prices for reasonable service."
Tuesday, February 7, 2012
Rock n' Roll in the Dough
The essays of the great rock critic Ellen Willis are available in a new collection entitled Out of the Vinyl Deeps. Here's a particularly insightful assessment, written from the fabled Woodstock concert, of rock as a commodity and not a revolution:
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